So it sounds like a major "Nervous Tic Motion" fused with a hook from a shitty (with those guys, is there any other kind?) Stereophonics song called "Have a Nice Day." It's still new Andrew Bird, and—dammit—you're gonna like it.
01/25One fateful night, Refined Taste and Youthful Abandon got drunk and did the nasty. The condom broke and they made a baby. That's us, and we're The Shit.
So it sounds like a major "Nervous Tic Motion" fused with a hook from a shitty (with those guys, is there any other kind?) Stereophonics song called "Have a Nice Day." It's still new Andrew Bird, and—dammit—you're gonna like it.
01/25Also, in the non-auditory department, Marathonpacks finds Stephen Malkmus dreamy and comes this close to offering a final solution for non-Aryan indie musicians. Yikes on so many levels.
01/25Maybe our favorite song off the about-to-drop !!! album. (We know you want us to make a lame joke involving ellipses or other puncuation marks. Fuck you. We're above that.)
01/25It's not that hot; but what if we were to tell you Weezy was involved? Is that something you might be interested in?
01/25Hello. We are The Shit. We are currently trying to figure out just how awesome we are. Come back soon.

The film is a mesmerizing spectacle, precisely because it doesn’t seem to obey many of the rules of either populist or “serious” cinema of this current era. Though the story is full of the kind of material habitually milked for melodrama—betrayals, moral crises, deaths—it almost always refuses to take easy advantage of these opportunities. In refusing to do so, what might seem on the surface a simple tale of espionage and its consequences becomes something altogether else: something imbued with a deliberately stiffer, more constrained poetry, one that doesn’t imagine that truth, freedom, wild horses, and the wind always flow together. One in which, maybe, the fewer words a man says and the less his face gives away, the better he describes the box that surrounds and imprisons him.
For your consideration: the narrative of a poor schmuck forced to interview Robert De Niro, the story of a journalist who, prevailing against all odds, still manages to kiss some serious ass. The Good Shepherd? Not quite so good as A Bronx Tale, which we assume is much better, though we’ve never bothered to see it.
We’re also pretty sure that “stiff” and “constrained” poetry is not “good” poetry. Chris Heath seems to be a professional writer, not a college freshman groping for a thesaurus at crunch-time, so we assume that if Mr. Heath had actually seen a “good” film, his professional vocabulary would have instantaneously supplied him with a score of far better qualifiers: “understated,” “stark," "subtle," "minimalist," "good," etc.
Better luck next time, Bobbo!
Cultural critic = bullshit artist. It's an equation that even empirically-challenged Pauline Kael readers can wrap their McLuhan-addled minds around, and perhaps none better than Boston Globe writer James Parker. He tackled the aesthetics of karoke just in time for the New Year, and with high-minded results. Hilarity ensues:
The heart of the karaoke performer swells: Into this vacancy he must project his beautiful essence, his soul. He -- or she (karaoke knows no gender) -- may be emboldened or confused by alcohol; wild with a private grief; or, worst of all, suffering from a genuine desire to excel before his peers. Regardless, in the performance that ensues, something will be brought to light.
We're pretty sure that Parker shouldn't get paid to publish this, and certainly not by a supposedly Serious Newspaper; but he gives us hope. Also a desire to get fucked up and belt out "Livin' on a Prayer." You know, in public, for once. The inspired may wish to brush up on their karaoke etiquette here.
'This One Goes Out...' [Boston Globe]
Picking the Right Karaoke Song - The Fine Art [Something Requisitely Witty and Urbane]


We had high expectations for The Knights of Prosperity, or at least we did when it was still called Let's Rob Mick Jagger, but last night's debut episode was a huge let down. I mean, this is Donal Logue, the man who played Jimmy the Cab Driver on those great MTV adverts, but the only consistent laughs last night came from jokes delivered by, and I'm not kidding here, Mick Jagger.
Nevertheless, we're willing to give the show a few weeks before we jump ship, mostly because we really want to like this show. Logue can be very good (we remember liking The Tao of Steve quite a bit when we saw it); and, plus, the first episode of 30 Rock was pretty crap, too, and look how that turned out. Maybe Knights, once it gets all this unfunny exposition out of the way, will be a good television show. But the question is: will it last that long? Ratings were terrible (fourth-place), and ABC doesn't seem to be giving it a fraction of the publicity and support that NBC has given to their glorious comedic star-child, Tina Fey.
Our fingers are crossed.

We can't really be bothered with compiling any sort of best-of-oh-six missive, scrambling, as we are, to solve our massive design problems (i.e. our complete lack of design). In the meantime, here are some of our favorite best-of lists from around the internets.

We woke up feeling romantic, and so did the internets. Get a head start on Valentine's Day with this attractive compendium of love-writing, sure to get you in the mood.

We here at The Shit could not get enough of Arrested Development during its too-short three-season run. Neither could we get enough of Michael Cera's brilliant and understated performance as George Michael, the show's awkward emotional center; so, naturally, we are very glad we found this on YouTube. "Impossible Is the Opposite of Possible" is Cera's tongue-in-cheek parody of über-douche Aleksey Vayner's "video resume," brought to the attention of the internets last year by Gawker.
This video has already been splashed all over the web, but we thought we'd take the opportunity to link to a wonderful interview with Michael Cera, which was conducted sometime during Arrested Development's final season. It's a nice piece, which we recommend you take a look at; Cera is obviously an intelligent and interesting young man, and he's funnier than most people twice his age. Though, to be fair, most of them aren't professional comedians.


This may sound callous, but we're ecstatic about ECM recording artist and starting Portland Trail Blazers point guard Jarrett Jack getting in a car crash. Yes, ecstatic. Why? Because this is a new kind of automotive accident for Portland's only major professional sports franchise worth caring about that we care about:
Jarrett Jack, the team's starting point guard and emotional leader, drove a car into a parked semi-truck outside of the team's practice facility in Tualatin as he arrived at the team's shootaround. Jack suffered a concussion and scrapes to his forehead when he hit the windshield.
See? That's great news. No drugs involved! No armed speed racing à la Road Rash 3! No pit bulls! Just a professional athlete with superior reflexes and hand-eye coordination driving his car into a parked vehicle the size of a barn (hmmm...). What's more, we get a W the night of the accident. This is just what a team formerly known as the Jail Blazers needs. So we salute you, Jarrett Jack, vibraphonist, terrible driver, and "emotional leader" of our benighted Blazers.
Oh God.
Victory is No Accident [OregonLive] (GET IT?)

Introducing a semi-occasional feature, in which we examine the week in beef.
Whilst out and about today, we overheard actual middle-aged white people discussing the Rosie/Trump beef. And that got us thinking. For these are divisive, contentious times that pit neighbor against neighbor, brother against brother, and, every so often, brother against neighbor. Also, there's hella MySpace hacking.
Until next time. Dipset bitch.

We know some people love to hate them – namely us, and we do it quite a lot – but there are times when we actually like Pitchfork. We read them mostly for news and track reviews, which is why we’re very sad that the Forknerds have demolished the track reviews section of their website and put up a ramshackle sort of podcast in its place. The Pitchdorks are usually at their worst when its comes to album reviews – they always seem to use the space for nerdy rock-crit ego-trips or, if they’re feeling particularly drunk, for harebrained attempts at cultural criticism – but they aren't so bad when they tackle music song-by-song. In the track reviews, good songs are treated succinctly and are explored in a narrower, more sensible context, and they have a lot of fun with the shitty ones. Actually, we are amazed they didn’t get rid of the track reviews rubric any sooner.
Forkcast [Pitchfork]

Over at The Onion A.V. Club Blog, they're soliciting questions for an upcoming feature in which Miss Silverman will be resolving all of your most bothersome concerns and uncertainties about love and, we hope, the etiquette of eskimo gangbangs. One of our favorites would have to be this sincere and anonymous inquiry:
Like most women, my girlfriend is very self-conscious about her body. When we "do it," she insists on turning the lights out. I love her body and want to actually see it, but no amount of reassurance or pleading on my part will change her mind. How do I convince her to leave the lights on?To which a commenter named Alan replies:
tie her up, then turn the lights back onThe A.V. Club Blog's readers are nothing if not creative. But of all the difficult questions, we hope Sarah tackles this puzzler:
How drunk do you have to get yourself to have sex with Jimmy Kimmel?In that situation, we imagine, you could never be drunk enough.
Ask Sarah Silverman About Love And Sex (Seriously!) [A.V. Club Blog]

Lately all of our time has been tied up in efforts to redesign our website, and, last night, while taking a break from alternatively studying CSS/XHTML textbooks and banging our head against the wall, we decided to assemble our blogroll. We've got links like gangbusters -- celebs, mp3s, movies, the funny haha, and lots of other coolness -- but we could not for the life of us find any good Portland blogs.
Seriously, where are they? The Portland Mercury, which in its newsstand edition has been boring us to death of late -- there is only so much of their brand of "journalism" that we can take -- has a blog, and it's quite good. The blogosphere seems to be the perfect place for their bizarre maneuvers against good taste and Strunk and White's Elements of Style. Other than that, we've got nothing. One of our favorite Portland blogs is Cowboyz 'n' Poodles, written by former Mercury escritora Julianne Shepherd; but it doesn't actually count, because she moved to New York like two years back.
So we've got nothing. At this point, we'd link to halfway-decent blogs by cool-looking people. Hell, we'd even link to Flickr. Or LiveJournal. Anything. We're desperate; we love Portland, and we want to know that Portlanders are out there right now tearing it up on the bloggernets. Please, send us your links.